Archive for the 'bookmaggot' Category

metamaus, by art spiegelman

I don’t remember when I first read Maus. I think it was probably the year I lived in Ireland, when I went on my first big graphic novel binge, but it feels like I read it earlier than that because it has become so much a part of me. Did Marie Suchting put it in my hands? Seems like the sort of thing she would do. Bless you, Marie, wherever you are.[1]

Maus is kept in the same area of my memory where I keep Olga Horak, a docent at the Sydney Jewish Museum who told me the story of the blanket in which she was carried out of Auschwitz. Olga’s blanket is made of a mix of animal and human hair.

Olga said to me: “I survived Auschwitz. One day all the survivors will be dead, and then there will be only you: the people who have met a survivor. Now it is your responsibility to remember and to tell the truth about what happened.”

Because I stand in this once-removed relationship with WW2, I am as interested in Art’s story as I am in that of his father. You can’t be a sheltered white Westerner and read history without knowing the terrible price of your peaceful, privileged life.

And of course Adorno was right: no poetry after Auschwitz. You can’t engage with the death camps in any meaningful way and then walk away feeling hopeful about human nature, or God, or life, or anything else at all, really. Ask Primo Levi.

But you can’t despair, either. What you do is you become Schroedinger’s human, both hopeful and hopeless. Everyone is a potential genocidaire; I, too, am a potential genocidaire; therefore I must do my work and be kind to other people and raise my children well. Or as Beckett put it: I can’t go on. I’ll go on.

It’s the human condition. This is what MetaMaus is about. It is the story of the story of Art, and of art. It is the impossible poetry after Auschwitz.

[1] Oh, Marie. I’d been meaning to call. I am so sorry. I hope you knew what you meant to me. You did your work and you were kind to me and raised me well.

just like someone without mental illness, only more so, by mark vonnegut md

Imagine if you mashed up Hurry Down Sunshine with Mountains beyond Mountains and, oh, a liberal (haha) dash of Atul Gawande or Siddhartha Mukherjee. You’d get this book: a gorgeous wrenching memoir of someone who had three psychotic breaks, went to Harvard Medical School and became a pediatrician, and then had another psychotic break. It’s incandescent.

If you take good care of any disease by eating well, sleeping well, being aware of your health, consciously wanting to be well, not smoking, et cetera, you are doing all the same things you should be doing anyway, but somehow having a disease makes them easier to do. A human without a disease is like a ship without a rudder.

It’s a good enough book that you should read it for its own sake. I feel bad even bringing this up. But yes, his father is who you think he is.

When Kurt tried to sell Saabs, he usually did the test drive with the prospective customer in the passenger seat. I tried to tell him to not go around corners so fast, especially if the customers were middle-aged or older, but he thought it was the best way to explain front-wheel drive. Some of them were shaken and green. He didn’t sell a lot of cars.

“Maybe you should just let them drive,” I suggested.

kindling

I kind of hate myself for loving my Kindle so much, except that it was a Christmas present from Jeremy so that makes it okay. I spent the best bits of my childhood in second hand bookstores and am gutted to see them close. I love public libraries and the smell of binding-glue, but the fact remains that I have read two library books in the eight weeks since I got the Kindle. And thirty e-books.

Those numbers are probably skewed by the fact that I slept in Sydney, Scone, Barraba, Nana Glen, Phoenix, New York, Orlando and Los Angeles as well as my own bed over the same period. The Kindle wins hands-down when I am traveling – whether it’s having a library to dig into on a transcontinental flight, or streaming audiobooks onto the car stereo on road trips. I used to get a bad back on business trips from the combination of MacBook and library books. Now I have the Air and the Kindle and I feel light as a feather.

All other things being equal, I’d still pick the book over the e-book. Good as it is, the e-ink hurts my eyes, especially at night, and it’s just not as pleasurable to curl up with the Kindle. That said, all other things aren’t equal. When I can order a book from SFPL and get it some weeks or months in the future, albeit free, or buy it off Amazon and read it straight away, it’s quite difficult to resist the lure of instant gratification. The two library books I did wait for – Hilary McKay’s Wishing for Tomorrow and Penelope Mortimer’s About Time – I waited for because they’re not available on Kindle yet.

The selection for Kindle is actually a bit shit. I don’t think my tastes are especially nichey but there isn’t enough Australian fiction or really good history. There are surprising gaps: David Marr’s Panic is on Kindle but his Dark Victory isn’t, for example. I got the whole Casson family series _except_ the fourth of five. Huh?

The selection for Kindle isn’t as shit as the selection for audiobooks, but at least it’s possible to see the point of that: the audiobook for Sabriel, for example, features Tim Curry reading aloud for twelve hours, which has an ungainsayable scarcity value to it. (The audiobook of Sabriel is perfect, by the way, except that Curry’s voice for Sabriel herself is a little too girly. Eventually I decided that Sabriel is a transwoman, which vastly improved the whole book for me. I’ve raved elsewhere about the greatness of history on audiobook, but fiction’s pretty awesome too.) But Kindle books are digital textfiles, and I am Web-native enough to shake a fist at the sky! when told that such things cannot be provided.

Upshot anyway is that I read virtually everything on the Kindle now, love its portability and capacity, am satisfied with its readability in brightly lit playgrounds and have taught myself to borrow Kindle books from the library. Still borrow books from the library but at a much slower pace. Have filled my request queue with graphic novels, which I love anyway, so, win. Love the highlighting feature and wanna figure out how to output it to a Tumblr. Would, honestly, recommend the Kindle to any other voracious reader still hesitating. But please go spend too much money in your local independent bookstore also!

fragmentary

Delia Falconer’s Sydney is, I think, the best book I have ever read about my hometown, and an excellent short introduction to Why I Am So Fucked Up. Recommended!

A reread: Seven Little Australians, which has aged amazingly well. The shock for me was realizing that Yarrahappini, Esther’s home “on the edge of the Never-never,” is… just outside Gunnedah, and closer to Sydney than my parents’ place.

We swim at the pool at Haddon’s homestead. Cobalt tiles and sandstone. The children are real swimmers now; Julia can swim across the pool; Claire can swim its length. Sunlight through the water. No sound but birdsong.

Driving home, the shadows of clouds across the green hills.

At night, leaving my sister’s house: ten times as many stars.

gloomy reflection

I read 150 books in 2011. Assume that I’ll live another 30 years, and say I get through another 100 books in each of those years. That’s only 3000 more books.

Shit. I have to read the rest of Octavia Butler and Samuel Delany.

books? that i enjoyed? this year? I AM GLAD YOU ASKED

I quite liked the Jennifer Egan and Allegra Goodman books, but fictionwise the discoveries of the year were Teju Cole, Sybille Bedford, Laurie Colwin and (is it really possibly I hadn’t read her before?) Lionel Shriver.

  • Open City
  • A Legacy: A Novel
  • We Need to Talk About Kevin
  • Happy All The Time

    I read a shitload of history this year; that seems to happen when you write time travel, or vice versa. I got through a metric crapton of horse-history-books with which I will not bore you because I am LOVELY, but as far as the great big thinky books about hideous European and Middle Eastern wars go, these were the standouts:

  • The Assassins Gate: America in Iraq
  • The Looming Tower: Al Qaeda and the Road to 9/11
  • Postwar: A History of Europe Since 1945
  • Bloodlands: Europe Between Hitler and Stalin
  • The Hare With The Amber Eyes: A Family’s Century of Art and Loss

    For some reason I also read three very good books by amazing women about murder trials. I don’t even know:

  • The Trial of Dr Adams
  • Eichmann in Jerusalem: A Report on the Banality of Evil
  • Iphigenia in Forest Hills: Anatomy of a Murder Trial

    I had this amazing run of medical histories. In one way they were a curative (I see what I did there) after the relentless gloom of the 20thC war books – Siddhartha Mukherkee, who wrote Emperor, is clearly Dr LOVE – but in another way they dovetailed depressingly well. The thalidomide one is a shocker, but there are arrogant bestethoscoped egotists wrecking lives in all of these books.

  • As Nature Made Him: The Boy Who Was Raised as a Girl
  • The Emperor of All Maladies: A Biography of Cancer
  • The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures
  • Nim Chimpsky: The Chimp Who Would Be Human
  • Dark Remedy: The Impact of Thalidomide and Its Revival as a Vital Medicine

    Don’t you ever read for escapism, Miss Rach? Sure. I read graphic novels and memoirs (Fire Season: Field Notes from a Wilderness Lookout was good, Borrowed Time made me cry) and fantasy. I liked The Tempering of Men and The Complete Ivory and Zombies vs Unicorns (started it on Team Unicorn but got bit by the zombie bug.) I loved How I Killed Pluto and Packing for Mars. I read Mary Stewart for the first time, and liked it. I read a lot of plays. At times of distress I reread Trollope and Austen and Tolkien, as one does.

    I did not read anything by Jeffrey Eugenides or David Foster Wallace or Stephen King or Hitch or Walter Isaacson and I am completely cool with that.

    Findings: having audiobooks playing in the car changed my life. The hours I spend driving to and from the barn are not only not wasted, they’re invested in a much deeper and richer relationship with history. The best audiobooks are ambitious narrative histories, and I like them best when they have English narrators, because apparently I still think the English are the cleverest people, because apparently I Cannot Be Taught.

    Other findings: I like reading women.

    Book of the year? A close race. Bloodlands and Postwar were like tough graduate courses in college. The Spirit Catches You and You Fall Down is a work of genius on a par with Rebecca Skloot’s Henrietta Lacks. Eichmann in Jerusalem was a revelation, and led me to coin the term angryfunny, for my favourite kind of bitterness. Special mention to Jo Walton’s Among Others, a breakout masterpiece from a writer I have long known and loved.

  • more pride, more prejudice

    It’s a terrifying book. Austen only wrote horror stories. One is dumbfounded by the narrowness of their escape. Lizzy’s predicament is up in your face but I am acutely aware, this time, of Darcy’s. Magnificent estate schmagnificent schmestate. His chances of happiness are slimmer even than hers. Lizzy’s constant companion since earliest childhood? Jane. Darcy’s? That bastard Wickham.

    Darcy was raised by wolves.

    He’s so constrained. He is so alone. He is twenty-six years old and running the equivalent of a Fortune 100 company. He has hundreds of dependents. His mother and father are dead. Georgiana may turn out to be bright, and poor old Colonel Fitzwilliam is sadly underused, but Bingley and his sisters are not clever people (Caroline has rat-cunning but no real wit) and Lady Catherine de Burgh is a vicious fool.

    Why does Darcy fall in love with Lizzy? Same reason anyone does. A person looks at you out of their eyes. Suddenly you are no longer the only person in the room.

    pride and prejudice

    Trigger warning for: Wickham

    Things you notice for the first time on the umptieth read through: the chronology is so exact you could set your watch by it.

    Darcy wrote his letter to Elizabeth on Friday, April 10, 1812. In it, he says:

    About a year ago, she was taken from school, and an establishment formed for her in London; and last summer she went with the lady who presided over it, to Ramsgate; and thither also went Mr. Wickham, undoubtedly by design…

    So Wickham’s attempted rape of Georgiana took place after April 1811 but before, say, September of that year.

    Bingley took possession of Netherfield “before Michaelmas”; ie, the quarter-day on which houses were traditionally let: September 29.

    This explains something that had always puzzled me: why did Bingley and Darcy come to Hertfordshire anyway? Bingley was clutching at straws, hoping a change of scene might help. Help whom? Darcy, who was blaming himself for his sister’s near-catastrophe.

    Proud? Prejudiced? Sure, but Darcy’s early scenes resonate even more if you read him as clinically depressed (my diagnosis) or suffering from PTSD (per Liz.)

    Pobrecito. No sooner is he finding Elizabeth’s face rendered uncommonly intelligent by the beautiful expression in her dark eyes, than (on Tuesday, November 20) he runs into her in the street in Meryton – being introduced to that rapey douchebag Wickham. Fun times, fun times.

    the wit of hannah arendt

    Okay, so what no one ever told me about Eichmann in Jerusalem is how funny it is; and not only funny but my favourite kind of funny: angry-funny.

    To each count Eichmann pleaded: “Not guilty in the sense of the indictment.”

    In what sense then did he think he was guilty? In the long cross-examination of the accused, according to him “the longest ever known,” neither the defense nor the prosecution nor, finally, any of the three judges ever bothered to ask him this obvious question.

    Not that there is anything funny about what Eichmann did. I came to this book, obviously, by way of Bloodlands and Postwar, both of which regard it as indispensable. And both of those books, good as they are, are hard going. As Ta-Nehisi said in a related context: “History is quite the burden. I am sorry about that. But this is the work before us.”

    Arendt’s name is inseparable from her coinage: “the banality of evil.” And somehow I had walked away with the impression that Arendt’s book itself is banal, or that the experience of reading it is unrelievedly negative. And this is not the case. Arendt’s anger is coruscating. Her intelligence illuminates these dark places like lightning bolts.

    Throughout the trial, Eichmann tried to clarify, mostly without success, this second point in his plea of “not guilty in the sense of the indictment.” The indictment implied not only that he had acted on purpose, which he did not deny, but out of base motives and in full knowledge of the criminal nature of his deeds. As for the base motives, he was perfectly sure that he was not what he called an innerer Scheweinehund, a dirty bastard in the depths of his heart; and as for his conscience, he remembered perfectly well that he would have had a bad conscience only if he had not done what he had been ordered to do – to ship millions of men, women, and children to their death with great zeal and the most meticulous care. This, admittedly, was hard to take.

    It is a little hard to take, isn’t it? I have said that the terrible question of the 20th century was “Why do you want me dead?” but there’s a worse question, isn’t there? It is “Why do I want you dead?” Are you perfectly sure that you are not what Eichmann calls an innerer Scheweinehund? I am not at all sure that I am not.

    As a clinical diagnostician, Arendt makes Greg House look like Patch Adams.

    Eichmann’s astounding willingness, in Argentina as well as in Jerusalem, to admit his crimes was due less to his own criminal capacity for self-deception than to the aura of systemic mendacity that had constituted the general, and generally accepted, atmosphere of the Third Reich. “Of course” he had played a role in the extermination of the Jews; of course if he “had not transported them, they would not have been delivered to the butcher.” “What,” he asked, “is there to ‘admit’? Now, he proceeded, he “would like to find peace with [his] former enemies”–a sentiment he shared not only with Himmler, who had expressed it during the last year of the war… but also, unbelievably, with many ordinary Germans, who were heard to express themselves in exactly the same terms at the end of the war. This outrageous cliche was no longer issued to them from above, it was a self-fabricated stock phrase, as devoid of reality as those cliches by which the people had lived for twelve years; and you could almost see what an “extraordinary sense of elation” it gave to the speaker the moment it popped out of his mouth.

    Eichmann’s mind was filled to the brim with such sentences.

    She examines him under the microscope of her rigor, and finds an ill-educated, failed vacuum-cleaner salesman, temperamentally disinclined to introspection, who rose to the level of his incompetence in a political culture that cynically exploited his particular traits. There were keen minds in the Nazi party, but Eichmann’s was not one of them. He was led into his great sins by his craving for acceptance, his intellectual laziness and his willingness to accept lies at face value.

    By that much-abused word “banality” Arendt does not mean boringness. Eichmann’s deeds, if not his character, are too horrible to be boring. She means that Eichmann is inadequate to his place in history. Be angry at him all you want. He cannot even comprehend what you think he did wrong.

    Despite all the efforts of the prosecution, everybody could see that this man was not a “monster,” but it was difficult indeed not to suspect that he was a clown. And since this suspicion would have been fatal to the whole enterprise, and was also rather hard to sustain in view of the sufferings he and his like had caused to millions of people, his worst clowneries were hardly noticed and almost never reported. What could you do with a man who first declared, with great emphasis, that the one thing he had learned in an ill-spent life was that one should never take an oath (“Today no man, no judge could ever persuade me to make a sworn statement, to declare something under oath as a witness. I refuse it, I refuse it for moral reasons. Since my experience has been that if one is loyal to his oath, one day he has to take the consequences, I have made up my mind once and for all that no judge in the world or any other authority will ever be capable of making me swear an oath, to give sworn testimony, I won’t do it voluntarily and no one will be able to force me”) and then, after being told explicitly that if he wished to testify in his own defense he might “do so under oath or without an oath,” declared without further ado that he would prefer to testify under oath? Or who, repeatedly and with a great show of feeling, assured the court, as he had assured the police examiner, that the worst thing he could do would be to try to escape his true responsibilities, to fight for his neck, to plead for mercy–and then, upon instruction of his counsel, submitted a handwritten document, containing his plea for mercy?

    As far as Eichmann was concerned, these were questions of changing moods, and as long as he was capable of finding, either in his memory or on the spur of the moment, an elating stock phrase to go with them, he was quite content, without ever being aware of anything like “inconsistencies.” As we shall see, this horrible gift for consoling himself with cliches did not leave him in the hour of his death.

    Contemporary parallels are left as an exercise for the reader. I am constantly reminded of DW Harding’s phrase about Jane Austen: “regulated hatred.” I suspect that like Austen’s novels, Arendt’s book should be one that I return to every year.

    the tempering of men, by sarah monette and elizabeth bear

    Just finished this and am feeling all schmoopy about it. Even better than its prequel, A Companion to Wolves.

    This is one of two collaborations that I think add up to more than the sum of their parts (the other one being Freedom & Necessity, which is pretty much an annual reread.) I inhaled Monette’s books about Felix and Mildmay (indeed I was carrying one of them, with a lurid cover, in the Bernal Heights playground when I was introduced to an English professor who reeled back from it and urged me to: “Read better books.” I should have said: “I’ll get right on that.”) but I find Bear’s kinaesthetic writing – every body always located in space and on a trajectory somewhere – distracting and sometimes difficult to follow. My connectedness to my body improved dramatically in my thirties and forties, thanks to two pregnancies, several 5K runs and some excellent riding instruction, but I still tend towards the brain-in-a-jar end of the embodiment spectrum. I don’t find it very helpful to know how characters are physically positioned with respect to each other and the furniture, and it certainly doesn’t shed any light for me on their interior worlds. Hand me smelling salts and the Henry James!

    Here both Monette’s luridness and Bear’s tendency to gesture frenetically rather than show are, well, tempered. See what I did there? These books are excellent on the Love Is Complicated But Let’s Not Be Dicks About It front. They’re less reliable guides to Not Racefailing: it didn’t thrill me that the only named black human character is the enemy. (“But,” defenders will say, “there are also dark-skinned elves!” Yes there are, but elves aten’t real.) At least said enemy was depicted with sympathy and imagination. ANYWAY. With that caveat, this wolf stuff is all the good bits from Pern with far less of the stupid: a fun and sexy read.

    i listen to history books in my car

    This post on Cool Tools changed my life. I drive more than I should. I drive to the barn two or three times a week. I drive the kids to swim class and piano class and summer camp. I used to suffer grievously from road rage, on account of California drivers zomg! But since I started listening to audiobooks while I drive, my driving has become serene and Zen.

    As KK says in his Cool Tools post, fiction and history are ideal. Well, as those of you with even a fleeting acquaintance with me will have gleaned, reading enough fiction is not my problem. My problem may indeed be reading too much fiction. But history is harder. It’s hard to read history after a long day at work and with the kids, with your head heavy on the pillow. I thought I’d test-drive audio books with some history I had tried and failed to get through in print. That’s how I managed to race through Georgiana and, even more dauntingly, Paris 1919. I got both from the San Francisco public library, on CASSETTE TAPES HOW STEAMPUNK. Then I had a vicious slapfight with the SFPL’s bitterly disappointing audiobook reserves (foul proprietary software with almost nothing available for Android.)

    So I signed up for Audible and listened to Bloodlands and Postwar streaming off my phone. They are both beautifully read by Ralph Cosham, who sounds almost exactly like Kerr Avon. Which was odd, but compelling. The books are twins in so many other ways that I suspected Timothy Snyder and Tony Judt of knowing one another’s work even before I Googled them to learn how intimately they were connected. Both books consider Eastern and Western Europe as parts of a whole. Bloodlands considers state-sponsored mass killing by Nazi Germany and Soviet Russia as two distinct expressions of a single totalitarian impulse. Postwar examines the aftermath. I was very lucky with the order in which I tackled them. Bloodlands picks up where Paris 1919 leaves off, and Postwar does the same for Bloodlands.

    Postwar is one of the best and wisest and most useful books I have ever read in my life, and I am a Judtist now. I’ve been praising it as the missing manual for the world in which I grew up, but it’s more than that. Judt – a reformed Marxist – takes pains to distinguish between Soviet communism, which succumbed to its genocidal totalitarian impulses, and Scandinavian-style social democracy, which didn’t. He is also clear-eyed yet hopeful on Europe itself as a model for organizing human beings that is neither coercive in the Chinese model or cynical and corrupt in the American way. Judt, who died of ALS last year, would not have been the least bit surprised about Greece and Portugal and the peril in which the Euro finds itself: he read the writing on the wall. But in spite of much of the evidence of his own eyes he argues for the continuing usefulness and relevance of social contracts that don’t inherently fuck people over, or arrange to have them killed. So that’s nice.

    By contrast, my latest project is Lawrence Wright’s The Looming Tower. It’s a history of Al Qaeda, beginning in aftermath of World War Two. Narrator Alan Sklar is no Ralph Cosham, and until I cast him in my mind as my friend Bob Foster the genius Koreanist from Michigan, his flat Midwestern vowels seemed set to drive me up the wall. I am glad I persisted, because The Looming Tower is an Iain Banks Culture novel, with the West standing in for the Culture. Specifically, it is Consider Phlebas, because it concerns itself with the point of view of the enemies of the Culture.

    The big question of the last century appears to be: “Why do you want me dead?”, for various values of “you” and “me”. All the answers are depressing. The Looming Tower follows Sayyid Qutb, the father of Islamism, as he studies education in Greeley, Colorado: founded as a Western utopia. Qutb is so horrified by people tending their gardens and women talking about free love that he turns against America altogether. It is as compelling and awful as a car accident. As Jeremy remarked: “This is why we can’t have nice things.”

    The more I read history the more I hope to stay as far the fuck away from it as I possibly can.

    about a mountain, by john d’agato

    “Well of course people are paranoid about suicide here,” Ron Flud explained in the County Coroner’s Office. “I mean, it’s in business, it needs tourists. Every resident’s bread and butter is based on this city’s image. And suicide doesn’t sell.”

    Spoiler: it’s not actually about a mountain.

    Imagine if Hunter Thompson and Joan Didion had a lovechild who became fascinated with the disposal of nuclear waste by way of Martin Amis’s Night Train.

    “I think everyone’s a lot more comfortable,” Ron said, “if we keep a low profile here. Suicide is the most threatening thing we can encounter as a culture. It’s a manifestation of doubt, the ultimate unknowable. A suicide by someone we know – or even by someone we don’t know – is a reminder that none of us has the answers. So apply that to a city with the nation’s most frequent suicides and you might start to understand this city’s reluctance to talk about it.”

    the magician king, by lev grossman

    I never even reviewed the prequel to this book – The Magicians, Hogwarts and Narnia as reimagined by Curtis Sittenfeld – because the ending made me so mad. The hero-protagonist made a decision that was ethical and unselfish, and then (spoiler!) he turned around and did the opposite thing just ’cause.

    Imagine my surprise! then, when this is actually addressed in the sequel, where escapist fantasy worlds suddenly cease to be consequenceless and people have to do the right thing, at whatever cost to themselves!

    Also! You know how I do that thing where I say “There is a MUCH more interesting book to be written about what happened to Secondary Character X over the course of THIS book!” This is that book! I shall call it HERMIONE GRANGER STRIKES BACK.

    not by accident, by samantha dunn

    Me: “This is a lovely book! The nice lady’s Thoroughbred trampled her and dislocated her shoulder and put a hoof through her shin so that her leg was hanging off by a flap of muscle and skin. And then she had adventures!”

    Optimal Husband: “Adventures?”

    Me: “Well, surgeries.”

    beyond black, by hilary mantel

    I can’t figure out how to recommend this book without spoiling it, or how to provide sufficiently graphic trigger warnings without doing the same. So let’s just call it Northanger Abbey meets Being Human, with a generous side-helping of We Need to Talk About Kevin. It’s hilarious, but the comedy is (sorry) beyond black.

    windsor knot, by christopher wilson

    I felt yucky reading this. Regarding the British monarchy as my own private soap opera is all fun and games until someone gets hurt. And this is not the sort of book you can faux-justify to yourself as having any literary or historical merit. I might stick to the dead ones from now on. Dead plus thirty years.

    This book was published in 2003 and in retrospect, all the guff about the Tampax and Squidgygate tapes being security intercepts or whatever is such obvious and weaksauce misdirection, how can we possibly have credited it for a nanosecond? Thanks for dulling our critical faculties, Murdoch, you poltroon.

    pillow talk in europe and other places, by deborah levy

    Clever, witty short stories with a liberal dash of Mavis Gallant, as is only right. I liked the first one best. In it, Levy is acute on the frenemyships of women:

    I don’t find your life as boring as you think I do. I find it more boring than you think I do. People in couples are despicable company. They play out their lives to me hoping I will reassure them they’re deeply loveable together and frankly they are not. All the same I want a relationship and I want it to be more exciting than yours so I thank you for setting some very low standards that I can only improve on.

    Her view of my countrypeople, while probably accurate, strikes this reader as surreal:

    Marly is the first Australian I’ve met who has any angst. I can’t imagine suntanned existentialists. It’s not possible to exercise the philosophy of despair while sitting at beach bars in shorts, drinking smoothies with the surf rolling and moaning under a cloudless sky.

    That made me laugh. When I lived in Sydney I was dead inside.

    iphigenia in forest hills, by janet malcolm

    Brilliant and chilling. A timely reminder that weird women (such as myself) should never get in any position where other people have power over us.

    Borukhova’s contained, Cordelia-like demeanor at the defense table worked against her. Nothing came of nothing. “She had no emotion,” Jones said. “She didn’t seem upset. She wasn’t scared. If you’re innocent and being tried for murder, you’d be upset.”

    Be exactly like everyone else, or suffer for it. Malcolm’s book is precision-engineered to afflict the comfortable. She is as troublesome as Helen Garner (high praise.) She’s also acute on class and privilege and their expression:

    Whether to reflect the grandness of the Times or in accordance with a personal code, Barnard dressed differently from the rest of us. She wore interesting, beautiful dresses and skirts in contrast to the uninteresting jeans and corduroys and sweaters that Gorta and Bode and Pereira and I wore. Her sharp-eyed stories about the trial were as pleasing as her elegant clothes; not the least of the pleasure we took in them was the knowledge that Judge Hanophy would be irked by them.

    Recommended to those with an interest in justice, women or writing.

    the complete ivory, doris egan

    These books are great fun. Theodora the barbarian is a witty and well-read guide through a solidly-thought-through, far-future planetary system. It’s as if the rest of the Vorkosigan books had been about awesome Cordelia, instead of poor old Miles.

    Theodora rides in, a day late and a penny short. Whenever I have one of my profound insights I find out later that somebody had it first in the fifth century oldstyle and it’s been a cliche ever since. That sort of thing happens to me a lot. Back on Pyrene, whenever I found a piece of classical music that I liked I was usually told later that it was a big favorite centuries ago of the Poliker Secret Police, and they often played it when they were torturing people. Believe me, news like that can affect your self-esteem in all sorts of ways…

    Doris Egan is better known as a screenwriter (for Torchwood and House, among many others) than as a novelist. My grand unified theory of screenwriting, inspired by the career of Aaron Sorkin and amply confirmed by that of George “Aargh, aargh” Martin, is that everything a screenwriter writes is about screenwriting and the unrecognized centrality of screenwriter heroism to an uncaring wider culture. The reason The Social Network is so oddly Not About Silicon Valley is that it’s actually about Hollywood, and how clever Mark-Zuckerberg-slash-Aaron-Sorkin is, and how dumb and pretentious everyone is who isn’t Mark-Zuckerberg-slash-Aaron-Sorkin. (He’s not an asshole, he’s just a very haughty boy!) And I could make some fanciful allegory here about how the Westeros dragons represent creativity and Wild Mind, and their skulls in the basement of Kings Landing are the Golden Age Hollywood studio sets on the back lots, dwindling in size until the species itself goes extinct, and Daenerys who walks through fire to resurrect them is Martin himself, but I think I just did.

    Ivory belongs in the same genre, though without Sorkin’s increasingly unpalatable narcissism. Theodora is a bookish anthropologist stranded on a strange, sunlit planet where everyone else is gobsmackingly beautiful, but she maintains an excellent sense of humour about it.

    His distorted view of marriage, distorted in its way as mine, is like an anchor: he’s unreasonably prejudiced in my favor, just because I had the good sense to marry him. So he’s willing to put up with a great deal, too, and just assume that my intentions are good.

    That’s an attitude worth gold. It’s not why I married him, but I’m beginning to see that people get married for reasons that are different from the reasons they don’t get divorced.

    Theodora is also a masseuse, and I am firmly of the opinion that massage-trained action heroines are underrepresented in literature.

    war horse, by michael morpurgo

    This was not very good on horses, and not very good on the war. So, um. He seems like a nice person?

    Also! That’s a Western (as in cowboy) show halter on the horse on the cover! I just. Gnnrh.